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Dispositif d’éducation à l’image hors temps scolaire, en direction des publics ayant des difficultés d’accès aux pratiques cinématographiques. Un regroupement de coordinations locales (près de 400), régionales (27) et nationale (1), de partenaires nationaux et régionaux, de collectivités territoriales, de professionnels du cinéma et de l’audiovisuel, d’associations...

Accueil > Image education > Film education : debates > Television & prison

Television & prison


Dans cette rubrique : Television & prison

  • Anne Toussaint

    Anne Toussaint works as a director and is the founder of the association Les Yeux de L’Ouïe (The hearing’s eyes). How does the portrayal of the prison environment on television and in films evolve ? How do prisoners look at Television ? Projection of an excerpt of a duplex directed in 1996 between the Prison de la Santé and the Paris Vidéothèque (video library) in which Marie-José Mondzain took part : the documentary Le dossier télé/prison (The Television/prison File) from Alain Moreau. This (...)

  • Camille Dauvin (CNC)

    Camille Dauvin works as representative at the CNC’s Directorate of creation, territories and audiences. Film programming workshop in jail : How to set up a programming with detained persons ? For an internal channel ? For a workshop ? Presentation of the CNC’s survey called "Film/Audio-visual actions in prison" _ _ _ _ _ _ _ _ This survey was conducted in 2006 by the CNC. This survey was conducted as part of the partnership between the CNC, the DAP (Directorate of Prison (...)

  • Jean-Marc Génuite (Kyrnéa International)

    Jean-Marc Génuite works as Image Literacy adviser at Kyrnéa International. Programming workshops in prison : How to set up selection of films with prisoners ? For what use ? An internal channel ? A workshop ? _ _ _ _ _ _ _ _ In L’homme ordinaire du cinéma, Jean-Louis Schéfer reminds us that : "films are initially and (therefore) also for the viewers a completely different experience from what is reflected in film analysis. The meaning revealed to us (…), its very specific meaningful (...)

  • Marc Le Piouff, Culture / justice project manager in Nord-Pas de Calais in the association Hors Cadre

    Marc Le Piouff works in the association Hors Cadre. How does the portrayal of the prison environment on television and in films evolve ? How do prisoners look at television ? _ _ _ _ _ _ _ _ As project manager for cultural development in jails, I work as a link between the prison staff and people working in culture. I intercede with twelve regional penal institutions in Nord-Pas de Calais. As often said, in order to set up a project on films, one can start with not much, with a (...)

  • Caroline Caccavale, director

    Caroline Caccavale works as a director and producer. She founded the association Lieux fictifs (Fictive places). How does the portrayal of the prison environment on television and in films evolve ? How do prisoners look at Television ? Renaud Victor, director and comedian, once said : "people do not imagine what they can do and be, and films can give them personal insight". Of course, this question of insight is a revelation to others, but also to one’s own self. It took me time to (...)

  • Debate : J.Boëls, C. Caccavale, A. Toussaint, JM Génuite

    How does the portrayal of the prison environment on television and in films evolve ? How do prisoners look at television ? Programming and escapism – Debate following different lectures :: Jacques Boëls How to approach a film programming in the prison environment ? First, I think by being off-stage, where we are today. From this place, I think one must work on the dimensions of reality and symbolism, which represent an important place in one’s own self-construction, but also during (...)



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