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Dispositif d’éducation à l’image hors temps scolaire, en direction des publics ayant des difficultés d’accès aux pratiques cinématographiques. Un regroupement de coordinations locales (près de 400), régionales (27) et nationale (1), de partenaires nationaux et régionaux, de collectivités territoriales, de professionnels du cinéma et de l’audiovisuel, d’associations...

Accueil > Image education > Stakes of Image Education > Orientations

Orientations


Dans cette rubrique : Orientations

  • An view-changing session

    To show art films, to spark off exchanges between the public and film professionals, to create a new approach to a work : these are the many objectives at stake in a special session. To each special session its special mobilisation : lecturers and moderators tell us how this evening-event is prepared upstream. To understand the artist’s viewpoint “During special screenings, we can watch the film from another angle, to catch the artist’s viewpoint,” explains Céline Fiquet, a young viewer in (...)

  • Cinematheque Française : Cinema, 100 Years Of Youth

    Cinema : One Hundred Years of Youth is a pedagogic and experimental project carried out by the Pedagogical Section of the Cinémathèque and created to celebrate cinema’s first hundred anniversary. The project gathers an experimental think tank composed of directors, technicians, teachers and representatives of different cultural organizations. Since 2004, the project has become European and opened itself to Spain and Portugal. In 2008-2009, Italy has joined the operation. The European (...)

  • Image Literacy : Since when ?

    François Campana is at the head of Kyrnéa International, an association working as joint committee for Passeurs d’images, an extracurricular action on image literacy. As for any other art forms, films have since their creation established their own educational rules, whether they are professional or amateur. Education took on several shapes or names. The arrival of video made these practices available to everyone. During the 90s, the expression “image literacy” became part of everyday language, (...)

  • The CNC and Image Literacy

    Pierre Forni is Head of the CNC’s department on artistic education. National operations First, I think it is useful, notably for our European friends, to briefly go over the nature of the several national operations on image literacy organized by the CNC (National Cinematography Centre). We have implemented the curricular operations École et cinema (School and film), Collège au cinema (Secondary School at the movies) as well as Lycéens et apprentis au cinema (High schoolers and trainees at the (...)



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